This review has been accessed
times since August 12, 2008
|
Heath, Chip & Heath, Dan. (2007). Made to
Stick: Why Some Ideas Survive and Others Die. NY: Random
House.
Pp. 291 $25 ISBN 978-1-4000-6428-1
|
Reviewed by Daniel Connelly
Auburn University
August 12, 2008
Let’s be frank. As teachers, the best ideas on pedagogy
which actually have a chance of finding their way into our
classrooms need to meet two tests – the powerful test, and
just as importantly, the simple test. Pedagogical concepts that
are the fruit of research may be mesmerizing and sexy, but all
too often are impossible to employ, or sometimes to fathom. As
practitioners, we typically don’t have access to a research
staff that can devote countless hours to interpreting research
findings until they become meaningful, and are too busy to force
a connection between the research and our profession that may not
always be there.
That’s why it’s so refreshing to find an idea for
increasing the power of your teaching that is at once powerful
and simple. These two qualities are the core of Chip and Dan
Heath’s new book Made to Stick: Why Some Ideas Survive
and Others Die. In fact, powerful and simple are the key
qualities of the book’s central metaphor – a piece of
duct tape that is also “pasted” across the front of
the book (makes the book easier to spot at your bookstore, too).
Just as duct tape is a powerful and simple solution to many
household problems, the authors convincingly offer their book as
an example of the highest quality “duct tape” out
there for sticking our lessons to our students’ brains.
While the book is not formally a pedagogical text, its
applicability to many functions of communication and many diverse
settings only adds to its value for educators. The book’s
message is relevant to group work among faculty and students,
project development, school slogans, campaigns and programs,
personal essays and other written text, just about any aspect of
our professional lives. Of the several reasons I can offer to
you for reading this book, the most significant is that it is an
enjoyable read that combines simplicity and practicality, and
carries the potential for immediate application to your
classroom. For those who are primarily educational researchers,
Made to Stick is a helpful reminder that the tendency to
be complex can sometimes allow others outside our field to
outstrip our benefit to the teachers we are obligated to
assist.
The book’s core idea – “stickiness”
– is that anyone can craft his or her worthwhile ideas into
enduring, evocative messages that resonate with an audience. The
authors frame their core idea with a classic dichotomy familiar
to educators: nature versus nurture. As the Heath brothers see
it, their book is “the nature versus nurture debate applied
to ideas: are ideas born interesting or made interesting?”
(p.5). The authors are very clear about which side they’re
on: “Well, this is a nurture book” (p.5). The rest
of the book unveils a simple, effective approach to how to
nurture your ideas to a high level of interest with your
audience.
While neither of the Heaths possesses a terminal degree in an
educational specialty, both brothers offer a wealth of experience
regarding the communication of ideas in an educational setting.
Chip, a professor at Stanford’s Graduate School of
Business, received his Ph.D. in organizational behavior. Dan, an
educational consultant for Duke Corporate Education who also
founded a textbook publishing company, was formerly a researcher
with Harvard Business School. They are very clear about the
purpose of their book: to help readers learn to empower their
ideas to have a lasting impact, even to change the behavior of
their audience.
To achieve such results, the Heaths tell us to focus on the
design of our message, rather than to consider only the
standard recommendations about issues of delivery such as slides,
handouts, and “make plenty of eye contact”. This
focus on design arose from the personal experiences of the
authors. Chip approached the issue from the standpoint of his
scholarly studies, having spent several years researching the
processes of “idea-making” and the survival of ideas
in the social marketplace. Over time, he started incorporating
what he was learning into his courses at Stanford. Dan, in the
context of developing educational material, turned to the
question of effective lesson design while analyzing the practices
of some of the top teachers in the country. Eventually, they
decided to join forces in order to dissect what constitutes a
“sticky” idea, and to uncover the sources of the
“glue”.
The authors flesh out their core idea of
“stickiness” with six key qualities that are the
heart of the book: simple, unexpected, concrete, credible,
emotional, and stories, or “SUCCESs” as the authors
refer to them. I say the “heart” because these are
the qualities that give the book its immediate practical value.
As you read through the pages and gain insight into these
qualities, you can start applying them right away to whatever
you’re currently working on: the teaching of concepts,
selling your ideas to peers or administrators, anything that
involves a message. But are these qualities truly helpful to
message-makers? One way to evaluate the book’s
“SUCCESs” is to apply its own criteria to the pages
within.
The authors define “simple” as finding the core of
your idea, stripping it down to its bare essence. If you find
that you are in fact juggling several ideas, some of which
compete or are extraneous, ask yourself “What is the single
most important idea in my message?” This core is what must
be nurtured, or it will be lost amid the details, and your
audience will be distracted and miss what you truly want it to
learn. Judging the book itself on this criterion of
“simple”, in my view the book succeeds because it has
one core idea with six qualities. This basic structure is easy
to hold in your mind and is effectively supported by the
book’s title and the simple metaphor of duct tape. Here
I’m reminded of the success of two of Malcolm
Gladwell’s recent books, Tipping Point (2000) and
Blink (2005). Each employs a simple metaphor that
effectively conveys the core idea of the book and also serves as
the book’s title. It’s noteworthy that the Heaths
credit Gladwell with supplying part of the inspiration that led
to their book (p.13), pointing out that the very term
“stickiness” came from Gladwell’s Tipping
Point. Also from the standpoint of “simple”,
every example the Heaths use to explain a concept is easy to
picture, and directly reinforces each chapter it is in as well as
the book’s core idea.
“Unexpected” makes our ideas sticky, according to
the Heaths, because the brain is wired to notice changes in a big
way. So essentially, by taking advantage of humanity’s
universal sensitivity to changes, we can achieve surprise and
maintain interest to get our audiences hooked, and keep them
hooked. Does the book make use of this quality of
“unexpectedness”? Made to Stick opens with a
startling retelling of a case of human organ theft – that
never actually occurred. This story is actually the basis of a
familiar urban legend, and certainly jolts the casual reader.
The stories peppered throughout the rest of the book are widely
diverse, providing lots of contrasting images, and consequently
do a great job working on the reader’s sensitivity to
change.
In introducing “concreteness”, the Heaths
recommend avoiding the high theory and laborious discussions that
often hide the practical utility of your idea and create
distractions. And having internalized their take on
“concreteness”, the authors fill their book with
solutions grounded in what is possible, even easy, for most
message-makers to accomplish. Gone are the vast theoretical
solutions in much of our literature that typically place
unrealistic demands on practitioners and their resources. In
this respect, Made to Stick is akin to Gladwell’s
no-nonsense, approachable writing style.
On the topic of “credibility”, the Heaths extend
the everyday definition in specific and meaningful ways. They
even suggest considering “antiauthorities” as helpful
in establishing your credibility as a communicator, e.g. sources
with no reason to benefit from belief in your idea. Additional
recommendations include employing concrete, tangible, vivid and
“localized” details accompanied by strong images and
other sensory data. Caution is recommended for all uses of
statistics, though. The use of numbers should always express a
relationship that is related to your idea, and fit what the
authors call the “human-scale principle” –
everyday terms that tap the audience’s well-known schemas.
In their defense, the Heaths turn to dozens of anecdotes
involving real people to make their own ideas more credible.
Many of these anecdotes are about message-makers “like
us”, who are not superstars but are still effective. Their
examples include many “localized details”, such as
stories about urban legends and Subway Restaurant.
Regarding “emotion”, the Heaths discuss a Carnegie
Mellon University study which suggested that the act of
processing large numbers of needy people as opposed to
concentrating on one needy person reduced subjects’
charitable impulses (dubbed the “Mother Teresa
effect”). The intended point is that an analytical frame
of mind, especially at the beginning of your message, may weaken
the likelihood that your audience will care about what you are
communicating, and therefore a message entirely driven by
analytical issues and approaches won’t connect with the
humans on the receiving end. Rather than give up if our topic
happens to be largely analytical, the authors suggest associating
our message with other, perhaps unlikely ideas, but distinctive
ones our audience cares about. A few additional sub-topics under
“emotion” will be familiar to educators, such as
self-interest, Abraham Maslow’s hierarchy of needs, and
identity needs. The Heaths capitalize on our emotions as readers
by continually turning to stories of one person and their success
to enhance key points.
The power of “stories”, the Heaths’ sixth
and final quality of note, is due to their ability to expose
suggested causal relationships in new and entertaining ways.
Drawing on the work of Gary Klein (1998), the authors argue that
the right stories provide “simulation” (information
on effective ways to act) and “inspiration” (reasons
to act in these effective ways). In one of the best treatments
found in the book, they impress upon us the power of mental
simulations (p.212-217) to aid in problem-solving and skill
development – behaviors crucial in the classroom. The
bottom-line point here on stories is that, when topical and
carefully chosen, stories trigger mental simulation in a way that
can promote positive behavioral change – and learning.
Accordingly, you will find the Heaths have dug deep to find
dozens of such stories to support their own key points.
The book’s layout, framed around the six key chapters on
the above qualities, is simple, contributing to a read that
“sticks” with you. A short introduction covers the
purpose and structure of Made to Stick, while an engaging
summary chapter at the end accomplishes two objectives. First,
it contains a review of the qualities of “SUCCESs”.
Even more useful to educators, the Heaths also take another look
at what they call the “worst villains” of sticky
ideas. While each villain was briefly covered in previous pages,
it was helpful to have another treatment of them here in the
summary. The authors’ short but extremely helpful section
in the summary on how to avoid these villains is easily
translated into the classroom.
The danger of “burying the lead”, the first
villain to avoid, should inspire us to ensure we don’t
overwhelm our students until they miss the point of our lesson.
“Stressing the delivery” implies a warning not to
sacrifice engaging content for an exclusive emphasis on
“whizz-bang” delivery methods. Avoiding
“decision paralysis” means don’t present
complex material without prioritizing it – your students
may delay committing to and comprehending such material. The
“curse of knowledge”, aptly noted as the
“arch-villain” of sticky ideas, is perhaps well-known
to educators but can be excruciatingly difficult to avoid.
Simply put, teachers at times excel at “teaching to
themselves”, forgetting that their students
“haven’t heard this before”.
The Heaths’ solutions to avoiding these
“villains” are simple. Proclaim your
“lead” up front, keep it simple, and return to it as
needed. Put as much or more effort into “what” you
are teaching as you do into “how” you are teaching
it. Prioritize your lesson content for your students to reduce
uncertainty and invite engagement. And always, always be
conscious of what your students know, and especially what they
don’t know, or you’ll end up impressing an
audience of one.
As educators, we have an obligation to be familiar with the
field-related literature. But this familiarity doesn’t rid
us of the need to be mindful of its occasional limitations. In a
similar vein, we also have the opportunity to seek help from
venues a bit farther afield. Such are the insights found in Chip
and Dan Heath’s Made to Stick – a book
powerful enough to offer real nuggets of gold for the classroom,
and simple enough to allow those of us without a lot of spare
time to easily find the nuggets.
References
Gladwell, M. (2000). The Tipping Point: How Little Things
Can Make a Big Difference. Boston: Little, Brown and Co.
Gladwell, M. (2005). Blink: The Power of Thinking Without
Thinking. NY: Little, Brown and Co.
Klein, G. (1998). Sources of Power: How People Make
Decisions. Cambridge, MA: MIT Press.
About the reviewer
Daniel Connelly is a doctoral student in the educational
psychology program at Auburn University, AL. His research
interests include personality, motivation, and individual
differences.
Copyright is retained by the first or sole author,
who grants right of first publication to the Education Review.
Editors: Gene V Glass, Kate Corby, Gustavo Fischman
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